welcome1.jpg
Code_text.jpg
members.jpg
officers.jpg
ARTICLE II - MEMBERSHIPS
Section 1. Eligibility.
Active membership in the Conference shall be comprised of distinguished members of the theatre community in outstanding college, university, community, not-for-profit, and for-profit theatres.  There shall be no institutional memberships.  No institution or theatre shall be represented by more than one member, except in the case of an Active member transferring to another institution already represented in the Conference, or with the permission of the Board of Trustees
Section 2. Number of Members.
The number of active members shall not exceed one hundred and twenty, with the intention being to keep the number of members within limits that will facilitate conference discussions and action.
Section 3. Types of Membership.
A. Active Membership.
Active membership shall be restricted to those persons who are currently in active service in the field of theatre.  Each active member shall have one vote.
awards.jpg
history.jpg
code_ro.jpg
news.jpg
contact.jpg
back_ro.jpg
next.jpg
more.jpg
Amended:  December 4, 2005 (not voted on), NTC Annual Business Meeting
The National Theatre Conference, founded in 1925, is an association of distinguished members of the theatre community in the United States, and duly incorporated and registered as such, according to law, in the State of Ohio on September 12, 1945, to operate under the following Code of Regulations.
ARTICLE I – PURPOSES
The several purposes of the National Theatre Conference are as follows:
Section 1.  To explore the means of best serving the interests of the American  Theatre, and to initiate, encourage, and support projects of value and significance with a view to strengthening and broadening the influence of theatre in our country.
Section 2. To bring the membership together at least once a year in a spirit of mutual helpfulness for the interchange of aims and ideals, and for the discussion of common problems and interests.
Section 3. To provide, at its annual meeting, opportunity for the membership to hear the views of outstanding personalities in the theatre and to observe demonstrations of various techniques in order that the membership may profit thereby.